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Case study · JR Stone · London Stone, on film, for a year

JR Stone template, cut, finish and install granite, marble and stone for architects, developers and private clients, and they are one of the biggest fabricators in London. From August 2025 to August 2026 we filmed the workshop and ran their social channels every week. The brand film and their testimonial are below. In August 2026 they took the work in house, and we would do it all again.

Filmed by AMW Media
JR Stone film still
12Months of filming and social
2Films you can watch below
Client
JR Stone, granite, marble and stone fabrication, London
What we ran
Filming on site and social media management, every week for a year
Measured
The films and the year of content; the website and the brand are by others
Working together
August 2025 to August 2026, now in house
01 · The brief

A workshop the clients never see

A photograph of a marble worktop looks like every other marble worktop. What separates JR Stone from a supplier is the scale of the operation and the care in between: the templating, the cutting, the polishing, the fitting, and a workshop the size of which most people in the trade have never seen. The architects, developers and homeowners at the top of the market only ever see the finished slab. The workshop is the story.

They came to us on a recommendation in August 2025 with one job: show the work being made, every week, to the people who specify it.

Aug 2025Client since
1Recommendation that brought them in
LondonAnd the rest of the UK, from one workshop
02 · The workshop, on film

Templating, cutting, polishing, fitting

Our crew filmed on site through the year: the raw slabs arriving, the saws, the polishing, the installs, and the people who have done it for decades. The brand film below is cut to a length that works on the website and in a proposal, with shorter edits for social. The client testimonial, with JR Stone on camera talking about the work in their own words, does more for a high end trade than any amount of copy.

1Brand film, from slab to installed piece
1Client testimonial on camera
WeeklySocial cuts from the same footage
03 · Every week for a year

Social, from the footage up

Twelve months of posts, Reels and replies across the company’s channels, cut from footage we shot rather than photographs sent over. A stone fabricator’s audience is small and expensive: architects, developers, interior designers and the homeowners they work for. The content was made for them, not for reach, which is why we do not lead this page with a view count.

Enquiry and sales figures are the company’s own and are not published. Their website and their brand identity are by others, and we say so.

52Weeks of posting and replies
0Stock photographs used
1Audience: the people who specify stone
04 · The handover

A year, then in house

In August 2026 JR Stone brought the work in house, which is the natural end for a company of that size once the footage bank and the habits are there. The films are theirs to keep using. The relationship ended the way we like them to: on good terms, with the work done properly, and with a testimonial we did not have to ask for twice.

Aug 2026Last month on the rolling agreement
12Months, renewed every one of them
2Films they keep using

Twelve months, in order

From the first day in the workshop to the handover.

  1. August 2025The first day

    Recommended to us; the first shoot in the London workshop.

  2. 2025The brand film

    Slab to installed piece, cut for the website, proposals and social.

  3. 2025On camera

    The client testimonial, filmed at the showroom.

  4. 2025 to 2026Every week

    Posts, Reels and replies from our own footage, for the people who specify stone.

  5. August 2026In house

    The work moves to the company's own team. The films stay.

12Months on a rolling monthly agreement.
2Films made for the company, both on this page.
0Lead figures invented for a production project.
What we ran

The work, in the open

a production relationship

Why there is no lead chart

JR Stone hired us to film the work and run the channels, not to run lead campaigns, and their enquiries are handled by their own team. The honest measure of a year like this is the footage bank they took in house, the two films on this page, and the fact that they said yes to being on camera about it.

The client, on camera

Hear it from the showroom, not from us

JR Stone talk about working with us in their own words, filmed at their showroom. The brand film, from raw slab to installed piece, is below it.

August 2025 to August 2026, then in house, on good terms.

See more projects
The film we made for them
Questions

Questions

What video should a masonry or stone company make first?
A brand film that shows the process from raw slab to installed piece. It is the one film that works on the website, in proposals and on social, and it answers the question every client has: how is this made?
How do you film a client testimonial that feels genuine?
Put the client somewhere they are comfortable, ask questions rather than handing them a script, film more than you need and cut it. The JR Stone testimonial was filmed that way.
How much does a brand film cost for a trades business?
It depends on locations, days of filming and the edits needed. We quote each film after a call rather than publishing prices, and we plan the shoot so one day produces the brand film and the social cuts together.
How much does a brand film cost, and how long does it last?
Priced per project against a written shot list rather than by the day, so you know what you are getting. The more useful number is the life of it: a properly made process film works on the website, in proposals, on a stand and cut down for social for two or three years. Cheap footage dates in months because it looks cheap.
Can one shoot day produce more than the film?
Yes, and it should. The same day yields the brand film, the stills for the website and proposals, and a bank of short cuts for social and ads. Planning that in advance costs nothing extra on the day and is the difference between one asset and a year of content.
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